“Finally, we will not forget Aurélie Brémond in the role of Despina. What a revelation! Everything is there: the magnificent voice with extraordinary high notes, the agility and power, the presence, the comic power. She is lively and naughty, perfectly at ease, ready in every way to conquer the stage” – Sara Notarnicola, Cosi fanno Dell’opera

Aurélie Brémond
Soprano

Aurélie is a passionate, mischievous and sparkling French soprano. Born in Serre-Chevalier in the Hautes-Alpes, into a family of ski instructors, she defied the odds by choosing music at an early age. At 16, she entered the Conservatoire de Reims, and later the Conservatoire de Premier arrondissement de Paris, and completed her training at the Haute Ecole de Musique de Lausanne.

Since graduating in 2022, she has appeared regularly at the Opéra de Lausanne, where she has appeared at Despina in Mozart’s Cosi fan tutte, the Second Maid in Loewe’s My Fair Lady, Giannetta in Donizetti’s L’Elisir d’amore, Maguelonne in Pauline Viardot’s Cendrillon, and Noémie in Massenet’s Cendrillon.

Recent performances include Philomèle in Delibes’ le roi la dit with Opéra d’Avignon, Sophie in Mélodie à l’opéra by Valérie Marestin at the Théâtre Liger in Nîmes and the Théâtre de Pézenas, Princess Laoula in Chabrier’s L’étoile at the Opéra d’Avignon, and Susanna in Mozart’s Le Nozze di Figaro at the Théâtre de Pézanas.

Aurélie has appeared as a soloist in Bach’s Magnificat with the Orchestra Régional Avignon Provence, under the baton of Jean-Pierre Lecaudey, and in Brahms’ Requiem conducted by Stephen MacLeod. She is the winner of several international competition including the second prize at the Concours International Leopold Ballan, third prize and audience prize at the Concours International de Béziers, and the Prix de la Mélodie contemporaine at Concours International de Mâcon.