Praised as “lush” by The Wall Street Journal, mezzo-soprano Jenni Bank’s recent engagements include her New York City Opera debut in the US Premiere of Charles Wuorinen’s Brokeback Mountain as Mrs. Twist, the Marquise in Donizetti’s La fille du régiment for Hawaii Opera Theatre, La Zia Principessa in Puccini’s Suor Angelica for Columbus, Third Lady in Mozart’s Die Zauberflöte for Seattle Opera and the Lyric Opera of Chicago (cover), and Mrs. Lovett in Sweeney Todd for the Baltimore Concert Opera. As a member of the world-renowned Filene Young Artist Program at Wolf Trap Opera she performed the roles of Marcellina in Mozart’s Le Nozze di Figaro and Samira in Corigliano’s The Ghosts of Versailles. She returns to both Hawaii Opera Theatre and Florentine Opera as Marcellina in Le Nozze di Figaro, and Delaware Opera in her role debut as Mrs. De Rocher in Jake Heggie’s Dead Man Walking. Future engagements include Ruth in Pirates of Penzance for Anchorage Opera, Menotti’s The Consul with Baltimore Concert Opera, The Marquise of Berkenfield in La fille du regiment with Orlando Opera, and Marcellina with Hawaii Opera Theatre, and a return to Opera Omaha.
Recent engagements included a return to both Hawaii Opera Theatre and Florentine Opera as Marcellina in Le Nozze di Figaro, and Delaware Opera in her role debut as Mrs. De Rocher in Jake Heggie’s Dead Man Walking. Ms. Bank returned to Seattle Opera to make her main stage debut performing Third Lady in Mozart’s Die Zauberflöte, her debut with Knoxville Opera as Ruth in Gilbert and Sullivan’s Pirates of Penzance, a return to the Young Victorian Theatre Company of Baltimore as Little Buttercup in H.M.S. Pinafore, Emilia in Rossini’s Otello with the Bard Summer Music Festival, and a Third Lady cover with The Chicago Lyric Opera. Also known for her prowess in contemporary opera, Ms. Bank performed the role of The Duchess in The American Premier of Unsuk Chin’s Alice in Wonderland with Opera Theatre of Saint Louis for which Opera News called her performance “a standout”, proclaiming she possessed a “luscious, dramatic voice and plenty of stage humor.” She made her European Debut singing Chin’s Scenes From Alice in Wonderland with the Royal Stockholm Philharmonic and has performed this work many times, including with the Bergen Filharmoniske Orkester in Bergen, The Oslo Opera House in Norway, The Seoul Philharmonic at Lotte Concert Hall in South Korea, the Los Angeles Philharmonic at Disney Hall, and at the Barbican Centre in London with the BBC Symphony Orchestra. Ms. Bank also created the role of Firdhaus Noman in the World Premiere adaptation of Salmon Rushdie’s novel Shalimar the Clown, composed by Jack Perla with a libretto by Rajiv Joseph, at Opera Theatre Saint Louis and will be featured in the much-anticipated release of the cast recording.
Ms. Bank’s recent performances include Mary in Die Fliegende Holländer and Marcellina in Le nozze di Figaro with Florentine Opera Company, The Old Lady in Candide and Mrs. Peachum in Kurt Weill’s The Threepenny Opera with Amarillo Opera, and Golde in Fiddler on the Roof with Ash Lawn Opera. Lauded for her interpretation of Verdi’s music, Ms. Bank has also performed Azucena in Verdi’s Il Trovatore with Opera in the Heights for which the Houston Chronicle said, “Bank is her own force of nature and achingly conveyed her obsessed gypsy heart through masterful command of her stupendous voice, praised her for her performance. Thrilling to behold, it’s like hearing the waves of the sea”. She returned to the company to sing The Witch in Hänsel und Gretel to further rave reviews. Other performance repertoire includes Dame Quickly in Falstaff, Dryad in Ariadne auf Naxos, Frugola in Il Tabarro, Zita in Gianni Schicchi, Martha in Faust, Giulietta and La voix de la mere in Les Contess d’Hoffmann, Miss Todd in The Old Maid and the Thief, Petra in A Little Night Music, Fairy Queen in Iolanthe, Katisha in The Mikado, Filipyevna in Eugene Onegin, Argento’s orchestrated Casa Guidi song cycle, and mezzo solos in the Verdi Requiem, Mozart Requiem, Bruckner Te Deum, Szymanowski Stabat Mater, and Beethoven’s 9th Symphony.
Additionally, Ms. Bank has been featured numerous times on public television and radio as an up-and-coming artist. She recently returned to both her hometown to sing the role of Mrs. Lovett in Sondheim’s Sweeney Todd with Tri-Cities Opera and to her country of birth to sing a recital in Cape Town. Ms. Bank is the winner of a prestigious Sullivan Foundation Award, a finalist in the Fritz and Lavinia Jensen Competition, winner of The Harold Haugh Competition, 2nd place winner in the Shreveport Opera Singer of the Year Competition, a semi-finalist in the Competizione dell’Opera in Germany, and was semi-finalist in the Metropolitan Opera National Council Auditions.